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A little New York song


Posted By on Oct 31, 2019

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This is a new one, written last summer a couple of weeks before I moved away from New York—I suppose a case of pre-homesickness. Guaranteed: this is not your usual New York song.

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Nothing could be more natural in the face of the unassimilable loss that is Aurora than the call for us to come together or the exhortations from our leaders that we are so much stronger than the violence wrought against us. Psychologically, these moments of communal affirmation may well be essential. They reduce suffering and trauma. They are welcome.

So what I’m emphatically not saying is that such appeals to our sense of community and our common bonds should be diminished or silenced. Yet a thought experiment might be worth trying. What would happen if in the wake of the next horrific shooting (it’s coming, by the way: these are now part of the structure of American life) the calls for community, for coming together, were left aside? What would happen if we were to experience the next brutality separately and alone? No appeals for communal outpouring of aid. No praise for our resilience. No calming words about how much stronger we are than the they of evil.

I’m not here to suggest what would happen—because in fact no one knows. That’s why it’s a thought experiment. Offered here is a purely speculative effort at imagining what might happen—no more than that.

Imagine then our thought experiment in action: a terrible shudder of violence has just unfolded, but in this case not followed by the usual declarations about our communal strength. Given no consolation, left to fall downward on and on in our separateness, alone with the jagged mechanism of our isolate thought, down into the dark cloud field that such violence actually opens in us, we might finally sink into a hostile landscape of pure individuality, recourseless, fearful, enraged, destructive—detached and bereft.

This possibility is what makes responsible leaders rush to speak up for community in the face of such tragedies. And it’s no joke. Alone we would be turned over to the demons. But here’s where the thought experiment comes in. What if, in this fading away of the communal, an illusory and even mythic sensation of our togetherness were torn away too? What if in this painful moment of truth we were actually able to see ourselves as we really are? In other words, what if we were to have a genuine experience of our every-man-for-himself society? Who knows where such a revelation would lead. The thought experiment doesn’t require that closure. But it does seem to open up the possibility of a terrifying experience of our reality.

Or another outcome, less apocalyptic this one, more optimistic: what if an experience of our isolation and pure individuation actually led to a deeper and more authentic hunger for genuine community—perhaps even (and here the optimism flies over the moon) to some recognition that community is more than a feeling. It requires structures. It must arise out of our way of life, instead of being a coping mechanism only pressed into service when someone has once again enacted the mass murder script on the American stage.
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Some would perhaps follow this line of reasoning through another question: how is it that we live in a society in which isolated young men can purchase an arsenal of weaponry, ammunition, and perhaps explosives, with impunity, with no oversight? And the thought occurs: perhaps if we did not rush so quickly headlong into consolation, this question might be cleared of its categorical political baggage. Even some of those who rushed out to buy guns after the election of the nation’s first black president might just suffer a moment’s reconsideration, once the consolations and intensities of groupthink were denied them.

Or instead—left to brood alone about the meaning of such an attack—maybe we’d follow our thinking in erratic directions, into taboo territories. Consider for example the clear prohibition against asking what Christopher Nolan’s Batman movies had to do with the killings. With no one to shout us down (and maybe this is isolation’s unique value) we might, some of us at least, entertain thoughts about why it was the Batman saga that the killer chose as the setting of his mayhem.

This is not to advocate for the idea that the film goaded the killer into action. It’s to suggest that thinking about violence in our society and in the products that entertain us might be fruitful. Nolan himself issued a statement following the shootings. “The movie theater is my home and the idea that someone would violate that innocent and hopeful place in such an unbearably savage way is devastating to me.” But what if Nolan’s film itself violates that ‘hopeful and innocent place’? Having not seen the new film, I obviously can’t comment on it—but I did see the 2008 movie that preceded it. One man’s reaction: I found it to be an appalling jumble of contradictions that finally cohered into an ugly justification—after buildings fell in clear reference to the 9/11 attacks—for vigilante violence and torture.

I realize many will disagree. They will cite (and praise) the film’s ambiguity, since after all, isn’t art supposed to enlarge our sense of the space of uncertainty and ambiguity in our lives—forgetting entirely that the work in question is a cartoon and is seen by many (most?) of its audience as such. Artists have always wanted to have it both ways: to titillate, console, and aggrandize the consumers of their work, while delivering suitably ‘progressive’ messages or critiques of social conditions. But Hollywood is more shameless in this than the other arts, and Nolan is doing nothing if not following a time-honored tradition. His Batman saga fits what must have been the film industry’s motto all along: Hollywood—we make vengeance palatable for America.

Entertaining such thoughts has value, not as a way to deliver a brief against Nolan and his movie but because it might lead us in the direction of actually undertaking to untangle the meaning of the violence that haunts our actual national life—from predator drones to prison rapes to the endless toll of mundane and undramatic murders that unfold daily, which action movies do not reflect so much as provide a comforting screen for (pun intended).

But please, don’t get all bent out of shape. I’m only suggesting a thought experiment. A what-could-happen-if scenario. I proposed a couple of outcomes—and perhaps not the most important ones. Remembering this: what matters in my view is the possibility of thinking about what’s happened in more idiosyncratic ways, without consolation, in isolation, adrift in arenas that would be taboo in groups. Who knows what such thinking might reveal about who we are and what we are becoming, if such unexpected lines of thought were pursued in the privacy of an un-ameliorated grief and fear, before we rushed to come together as a community and ‘move on’?

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Romney’s bullying.

Given that this blog has assiduously avoided anything topical with the secret goal (more or less realized) of making itself invisible to search engines, what on earth might now possess me to add my words to the torrent on Romney’s great haircutting debacle? Only perhaps that I was shocked. As a headline scanner, I had first thought: well, so Romney teased a boy who was gay about his hair. What a jerk. Then I read the story. I suppose there are those who think attacking someone—leading the group in the attack—and cutting his hair is no more than a mild prank. But really holding someone down and taking scissors to him? “Like a pack of wild dogs,” as one participant remembers it. Did you do things like that in high school? I didn’t think so.

Others have pointed out that this incident was not entirely unique. They noted how Romney seems to have taken particular joy in guiding a teacher with poor eyesight into a glass door (Gail Collins in the Times), and still others conclude that his claim not to remember the haircutting attack is perhaps as bad as the event itself (Charles M. Blow, also in the Times, among others).

But I’d like to come at this story from a slightly different angle. Here’s what I propose: I’d like to recall an incident of bullying I observed as a child growing up in Texas at roughly the same time that Romney was attending prep school in Michigan. I’d then like to suggest that this incident was an example of a culture of bullying then present in Texas that seemed as normal and natural to its perpetrators and victims as it did to its audience—and bullying is primitive theater, let’s not forget that. I’d then further like to take a leap and suggest that the Texas I grew up in helped shape the personality of George W. Bush, the Republican figure Romney most resembles, despite their widely variant styles and personalities, and that Bush and Romney both share a propensity for playing the bully.

When Mitt Romney was in high school I was a student in a North Dallas junior high. Every day after lunch several hundred of us were turned loose to roam across a large asphalt playground behind the school gym. There was a boy named Robert Jacobson who played among us (name changed to protect, even after all these years). Robert suffered some unidentified disorder or incapacity—probably undiagnosed, given the times. He walked on his toes and did not connect appropriately with others. He just stood out. His nickname—and it was his only name on the playground—was Twinkletoes. During lunch kids would throw pennies, and Robert would chase them, running in an awkward stiff legged gait, high on his toes, his arms flung out, unbent at the elbows, after the pennies. Day after day. It was only years later that I realized the significance of the pennies: Robert was of course Jewish. And as everyone around me seemed to know, Jews will chase pennies.

So there you have it. A crude anti-Semitism. A vicious mocking game aimed at someone who was defenseless. I’ve pondered over the years how I didn’t understand the meaning of the pennies. I believe some part of me must have known. Yet I knew better than to know. Because another part of me, equally buried, understood only too well the threat of violence and retribution that lay behind the playground game, and recognized my lack of immunity. I was no hero. I witnessed but did nothing.

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George W. Bush grew up in this world too, in Midland, Texas, a few hundred miles west of the playground where Robert chased his pennies. And of course that doesn’t make him guilty of anything. But this was the same George Bush who built his career around the notion of his being shaped and formed by his Texas boyhood, his values and perceptions of life arising out of his Midland roots. And so when I say that George Bush was immersed in his boyhood in the same culture I was, I’m just saying what he’s saying. Except that I’m adding that I suspect that what he learned in his Texas youth, in addition to all those heroic qualities we heard about endlessly in his political campaigns, was the fondness for reprisal and dominance that are the core of bullying, its thrill of reaching through the boundaries of another’s selfhood and violating it with impunity, its assertion of ownership—of the Other, but also of the cultural landscape itself, territoriality being one of its key features.

Am I right? Was George Bush manufactured as a bully in his West Texas boyhood? No way to prove it. We know of his subsequent actions: how he laughingly mocked Karla Faye Tucker, the woman whose death sentence he refused to commute. We know about his ready resort to violence—and this readiness lies behind all bullying. Of his childhood, no certainty. But what I do know is the milieu in which he operated. I know that it was a common sport among West Texas boys in those days to run down (as in run over and kill) jackrabbits and wild dogs in their cars and trucks on the back roads and ranch lands. (I knew a man in East Texas who would cruise its black tops at night running over possums who had come out to sleep on warm asphalt—running them over at slow speed and then watching in the red glare of his taillights as they writhed.)

Nor am I claiming that George Bush went on those hunts after rabbits and wild dogs in West Texas, or that he was violent in the way that man in East Texas was. I take him at his word—and not in the smarmy way of members of his political party when they comment on Obama’s religious beliefs—when he speaks of compassionate conservatism. It was no false veneer. Liberals mistook him by assuming hypocrisy where something more complicated was going on.

No, I believe George W. Bush believed in his compassionate conservatism without reservation. But I also suspect his views were an elaborate psychic countermeasure against the brutality he grew up with, whose wrongness he must have sensed. For I feel certain, looking at what Bush became, and his fearful reaction after 9/11, his authorizing of torture and his swaggering across the international stage (his administration peopled with the kind of full-on bullies that the doubtful bully often surrounds himself with—the Cheneys and Boltons who would do the real dirty work), that this man’s moral outlook, as he grew up in a Texas whose politics were being shaped by the nascent John Birch Society, in a Texas where racism and anti-Semitism comprised an almost universal lingua franca, was formed through a series of reactions to the violence and bullying he saw around him—that toxic mix of fear and complicity, of signing up because not signing up meant a fall into oblivion, and demurral because some part of every person withdraws, at least at first.

Back to George Romney. So we now know that Romney was definitively an abuser in his childhood. The idea—repeated by that amiable bully Bill O’Reilly, whose whole career has been built on the pleasures viewers receive in seeing the defenseless attacked (c.f. his comments on New Orleans flood victims as they were literally scrambling to survive on rooftops)—is that what happens in childhood should stay in childhood. But of course what happens in childhood doesn’t stay in childhood. It creeps into the land beyond, only perhaps papered over with a civilizing veneer, or sluiced into a socially acceptable direction, unless a kind of conversion experience, built on deep awareness, intervenes. Romney has clearly not experienced such an intervention, about this or any of the other many episodes of bullying and teasing he engaged in. That is the true shame of his silence and denial in his response to the Washington Post story.

Romney is very different from Bush: a real man of business, whereas Bush was always closer to the greeter at the casino, the guy who was content to keep the touts happy and then get teary-eyed and sentimental when the big winners raked it in. Romney by contrast was far closer to the genuine article—in fact not so much a businessman as the financial world’s variant of the old-fashioned industrialist, an occupant of the highest rung of the food chain, who believes himself to be entitled to every bit of it.

Yet both of them are bullies in their own way, and this comes as no surprise. For in this new century, and for a variety of perhaps complicated but also obvious reasons (the electorate’s compensation for feelings of powerlessness, old-fashioned rage at the possibility of displacement and diminishment of privilege) can it really be possible to imagine the Grand Old Party, now transformed into something that would have made those Birchers in the ’60s proud, nominating anyone for president who is not a bully?

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And the trees mourned the year's passing ...


10. Once again failed to interest Marvel in my Thus Spake Zarathustra comic book.

9. Two words: parking ticket. Two times. Ouch.

8. For the third year in a row my efforts to memorize the Biblical book of Genesis shuddered to a stop at the scene where the giants come down to earth and have sex with the humans. I don’t know why. I just can’t get past it.

7. One night I saw the new moon with the old moon in her arms.

6. A catastrophic moment: wait, I’m drawing a blank here. But trust me, it happened.

5. After taking an over-the-counter allergy med before bedtime last spring, I awoke with a start in the middle of the night with an entire poem etched in my consciousness. I had the feeling that a Sprite or Muse had dipped my brain in fairy dust in which the words had been traced with the index finger of an angel. For a moment I considered getting up and writing down the poem, but it seemed so fresh and clear in my mind, and I was very sleepy. Assuming I would remember it in the morning, I slipped back into a contented sleep knowing that when I awoke the history of poetry was about to undergo a shattering change. Alas, in the cold light of day, the poem had vanished. I remember only one phrase: a damsel with a dulcimer. Hell of line, too.
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4. One day I looked out the window. Something I don’t do that often. Out of fear. About what I might see. About what might be out there. Or in here. That I couldn’t see until I looked out there. Bad cycle.

5a. During an “Internet search,” I realized the “damsel with a dulcimer” line was from a famous poem from the Past.

3. My novel, The Doom Prophecy, was not picked up by a publisher—once again.

2. A potted basil plant in my windowsill began sprouting roses. I think so at least. Or perhaps this was only a dream.

1. And the number one thing that happened to me in 2011: I stole a kiss from the new moon while the old moon lay in her arms.

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The station at 7th Avenue, Brooklyn


The animal was clearly dying, and that’s the last thing I expected to see.

I was at the 7th Avenue stop of the Q train in Brooklyn, on my way to Manhattan. The weather was good that day, the station mild and pleasant and almost entirely deserted, probably because a train had passed through recently.

My Q train strategy: walk to the front of the platform (more chance for a seat there). So I’m heading in that direction about thirty feet from the end, and then I see something moving on the concrete before me, something small and definitely ugly and yet clearly alive, about the size of a grown man’s hand. I stop dead. What gives the moment its strangeness is that at first I can’t tell what it is. (I think: a bird, a squirrel, a rat—in the subway, naturally you think: rat.) A living thing is here where it shouldn’t be, not down in the tracks, but here where we wait for the train, and what I feel then is the very specific fear of contamination.

My first reaction is to back away, but I’m also curious, and so I step forward cautiously. And then I know: it’s a rat, after all—but so thin and desiccated as to be hardly recognizable, its coat sparse, patches of livid pink showing through, bleak eyes staring, dark and empty.

It’s trying to walk but keeps listing badly to one side.

I suppose it’s an odd thing to say, but until this moment, I’ve never considered what it must be like for a rat to face death—not abstractly, that is, but actually. And yet here it is, the dying animal’s eyes somehow alert (and yet still lusterless and empty) with something like puzzlement. And I understand that what I’m witnessing is the animal response to the intransigence and failure of the body.

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But now someone else has come closer. I turn my head (again, that quick, hooded look)—and see a woman perhaps in her late thirties. She has that somewhat pinched or strained appearance of people who have been in the city a long time, perhaps living alone and working some unglamorous job steadily and punctually. (It’s just a feeling I have—for all I know she may be a glamorous but dressed down magazine editor.) Then a moment unfolds between us, the urban ritual, in which two people consider whether to say something to one another and then decide not to.

We stand like that, watching the rat trying to drag itself off somewhere but unable to do so, while the rat watches us, or seems to, but without any real interest, its attention focused entirely on trying to make its awkward body function right.

At some point I become aware that the woman standing near me has opened her bag and is poking around inside it, and then I realize that she’s removed a small container. It’s transparent plastic, and so I see at once that it’s filled with dry cat food. Perhaps our eyes skip past one another’s again. But then she steps forward, closer to the rat—far closer than I would have dared to—and taps a few pellets of the cat food onto the concrete in front of the animal. She steps back to her former position. Our eyes may have met again, but again neither of us says anything. I have the feeling that almost everyone on the platform has noticed what she’s done. Then the grinding sound of a train enters the station, pushing a wind down the length of the tube. The rat begins to nibble on the dried pellets, but listlessly, as though it’s a purely mechanical reaction.

Then the train comes to a stop, the doors slide open, and everyone steps inside—the woman with the cat food has disappeared into another car. The doors slide shut, we’re sealed inside, and we begin to move, and then I catch one last glimpse of the rat with its little storehouse of food as the train enters the tunnel.

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The contested sidewalk today ...

My neighborhood has been undergoing some changes lately, which puts me in mind of an incident that occurred a few years ago that was certainly a harbinger of that change, if not the moment of its ushering in.

I should tell you first about a fellow who lived three doors down, whose house I walked past each morning on my way to work. He was a retired gardener—a fact I didn’t learn from him; he never spoke to me or even acknowledged my existence. He exuded an aura of curmudgeonliness, hard-won and carefully cultivated. I learned about his past from another more talkative neighbor. Anyway it made sense. The retired gardener kept a meticulously neat garden in his little patch of front yard: a quince tree (we only lost it when the tornado came through Brooklyn last fall), a lawn he kept trimmed with a hand-push mower, and several bushes lining the low fence, which he cut in topiary shapes. It was the topiary touch that really gave him away as a gardener. Curmudgeon he may have been, but it’s hard to hold a grievance against someone who keeps a garden the way he did.

At a certain point a new neighbor moved into my building. He was a big fellow with a square head, and like our neighbor down the street not what you’d call a friendly person. When he was having trouble getting cable installed, he greeted a suggestion I made with one of those stony stares that makes you quite certain that even if his feet were on fire you wouldn’t loan him a glass of water. I filed him away in that cabinet marked ‘inconsequential’ and went about my business, though I might’ve noticed a few weeks later that he had gotten himself a dog, a German Shepherd, if I remember rightly, with mournful woebegone eyes.

Meanwhile the neighbor down the street was beginning to behave in a slightly more eccentric fashion. For a couple of weeks as I passed his house on the way to work, I’d see him sprinkling water out of a can onto the sidewalk in front of his property. I remember thinking this was a bit much. Though he from time to time rinsed the walk with a garden hose, this latest move looked like preparation to give his sidewalk a daily scrub—well, the fellow’s proclivity for neatness was becoming a mania. This went on, as I said, for two weeks, until one morning as I walked by his place, he spoke to me for the first time. “Do you know the fellow in your building with the dog?” Now I’ve lived in New York long enough to avoid even the most benign guilt-by-association gambit. Plus I didn’t much care for my co-tenant. So I quickly denied any but a passing knowledge of him—pretty much the truth anyway. I think that’s all that was said; at least it’s all I remember. I walked away more puzzled than ever.

It wasn’t until a few days later that the mystery was cleared up. I was talking to my gregarious neighbor, an interesting guy in his own right: he worked on cars parked in the street and did odd jobs around the neighborhood. But he also rented a tiny storefront around the corner where he had set up an impromptu art gallery for his paintings. Though I more than once stopped to look at these efforts in the dusty display window, I can’t now summon them up, try as I might. I do remember them having great sincerity. But the gallery had few visitors. I remember going outside one summer night and finding him standing on the sidewalk, his eyes shining. A mockingbird was delivering an endless series of whoops and whistles from a light pole just down the street. “A nightingale,” he said “I could just sit here and listen all night.” It was he who enlightened me about my neighbor’s mysterious question. My co-tenant had been walking his dog to the sidewalk in front of the retired gardener’s house where the dog would urinate, much to the retired gardener’s outrage. To put an end to what he saw as this gross violation, he began sprinkling a mixture of pepper and water on the sidewalk in front of his place.

This might have been the end of the story—the dog of the mournful countenance might simply have found a new place to water his surroundings, except that somehow my apartment building mate realized what the old fellow was doing. He threatened to call the police—or perhaps he did. It wasn’t entirely clear. But this I do know: the retired gardener was worried. His question to me—and breaking his vow of silence must have cost him—was meant to gather intelligence and perhaps ward off the danger he saw marching toward him. The exact details of the final act in the drama are veiled to me. I could only see the results: end of pepper water; more or less disappearance of both parties from view. The little stage there at the end of the block, a patch of uneven Brooklyn sidewalk, had been entirely abandoned, or so it seemed, by the principals in the drama.
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One way of looking at this neighborhood vignette is as a minor comedy about foolishly feuding neighbors. Part of me saw it in exactly that way. But I also know there’s a falseness to that enchantment. The retired gardener was an African-American man who had lived on the block for years when the block’s residents were almost all African-Americans. The man with the German Shepherd was white, a recent arrival at what might have been the inflection point for the neighborhood’s “gentrification.” (When my wife and I—both white—moved in several years before this episode, we could tell ourselves we were just living in a diverse neighborhood, our preference, and perhaps even feel good about that; it was easy to pretend we were not part of the gentrifying process. Though of course we were simply an earlier phase of it.)

The trouble with stories is that you never know for sure what they mean, or what they hide. Perhaps the War of the Sidewalk really was just a story about characters in the neighborhood and no more. But I have my suspicions that what happened on the block is another story altogether. For if I think about it, my (white) co-tenant never did seem comfortable in his new surroundings, so much so that at the time I remember vaguely thinking that he had gotten the dog to reduce this discomfort—that he had bought the dog of the woebegone eyes as protection. He then got into a conflict with an irascible (black) neighbor and then (at least) threatened to call the police.

Perhaps he had no awareness how threatening this move would be to our neighbor. Our neighbor, rightly or wrongly—and this argument is one that still ripples with uncomfortable regularity across our society from sea to shining sea—sensed where the weight of the law would finally settle. Perhaps he even sensed that he was at least partly objectively in the wrong, but his deeper fear, and I’m quite sure it was fear he was feeling, lay in his belief that the police called in by the white man down the street would finally be an instrument of white power. And so there he was: an old man feeling powerless and stewing in his juices. Meanwhile, it’s worth pointing out that it was likely no picnic for my dog-owning neighbor either. If his fears were of the kind I think they were—admittedly I’m speculating—then he no doubt had to live with his own (certainly biased) fears of retaliation. I suspect his moving away from the neighborhood soon after had everything to do with this.

As for the old man, perhaps it was only a coincidence, but a few weeks later he suffered a health setback, perhaps a stroke. He managed to hang onto the house for a time, but soon moved out. The talkative neighbor said he went to assisted-living in the Bronx. The house was soon sold, remodeled from top to bottom, and a young family of professionals moved in. The topiary bushes were removed. The quince tree, as I mentioned, was uprooted in the tornado a year later.

Many changes have followed. The non-registered halal butcher shop around the corner on Washington Avenue where some guys were selling goat meat out of iced-down coolers has been replaced by a high-end cake shop. On the corner of Washington, the rather curious and obviously quixotic enterprise run by a guy who was trying to create some kind of local alternative to Mailboxes, Etc. has been replaced by an antique boutique. Gone too is my nightingale listening friend—his art gallery first shuttered, then converted into a yoga studio, now vacant. The neighborhood has not lost all of its diversity—this is Brooklyn after all. But it’s lost something amid the proliferation of Thai and Sushi restaurants, what used to be called Internet cafés, and actually trendy bars. There are now some days in the neighborhood when the number of hipsters per square foot is approaching the density at which nuclear combustion occurs.

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